There are several different ways one can figure out the unique Dramatica storyform for a story. The straight ahead linear approach presented in the software’s StoryGuide, while helpful and ultimately necessary when first learning the theory, can actually be quite cumbersome to work with later on in your understanding. Your best bet is to use a combination of the Theory Browser, the Story Engine Settings Panel, and yes, even the Plot Progression Panel.
Entries from January 2008
27 Dresses: Arriving at the Storyform
January 31st, 2008 · 1 Comment
Filed under: Analysis
Screenwriting on an iPhone/iPod Touch and Other Improvements
January 28th, 2008 · No Comments
I had a chance this weekend to make some improvements to the site. 99% of the people who read this probably won’t be as into them as much as I am (particularly the icons for the iPhone and Touch), but there is one improvement that I think everyone will appreciate.. at least those who use RSS readers.
Filed under: News and Updates
27 Dresses: Analysis
January 24th, 2008 · No Comments
Stories, like bridesmaid dresses, come in all different shapes and sizes. And while the purpose of most of these dresses seems to be to insult and shame the wearer, the majority of stories out there aren’t created with the same dismal intentions. In fact, most stories exist to satisfy and emotionally fulfill their audience.
Thankfully, 27 Dresses is one of these stories.
Filed under: Analysis
The Importance of the Story Limit
January 18th, 2008 · 6 Comments
A Story Limit is one of the most important things you can put into your story. Whether it be a Timelock or an Optionlock, a writer must let the audience know when the story will be over; to leave this out is tantamount to lying to your audience. And while it is important to pick one of these and stick to it, it turns out that there are some stories that are a bit more nebulous when it comes to defining how their endings will come about.
Filed under: Story Structure
